Beiträge
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Es wird nie wieder eine Rückkehr geben – nur noch Durchgänge – einen Durchgang!… ////////////////////////////////// Danielle Collobert: Œuvres II, Textes manuscrits laissés inédits ////////////////////////////////////////// 1 Kennengelernt, so Jean-Pierre Faye, haben wir uns im Mai 1968 im Hôtel de Massa, dem Gründungsort des französischen Schriftstellerverbands. Danielle kam geräuschlos, mit einer Bescheidenheit, die ihrer…
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Few have noted that Chantal Akerman’s last film No Home Movie and her death in 2015 represented, more than any other work of art or event, the receding of a certain form of cinema and a certain way of thinking about film. While this formal and conceptual approach known as modern cinema has not yet come to…
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![reading list [6/2025]](https://my-blackout.com/wp-content/uploads/2025/06/bild-07.06.25-um-20.00-1-e1749319962712.jpeg?w=580)
reading list [6/2025]
Leslie Kaplan | Miss Nobody Knows Chantal Akerman | Eine Familie in Brüssel Jean Daive | Antonio Gramsci Jean Daive | Le Nœud EDITION…
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Agnès Rouzier | from „Letters to a Dead Writer“
There is death in life and it astonishes me that people pretend not to know that: death whose pitiless presence we feel in each…

![Peter Bouscheljong | Corpus/Grammatik [nach Danielle Collobert]](https://my-blackout.com/wp-content/uploads/2024/06/gal-11285118-1-1-e1717502856543.jpeg?w=530)
![riots and/or poetics [5/2024]](https://my-blackout.com/wp-content/uploads/2024/05/d6ad7c2c-345b-4499-b259-534019770850_1_201_a-e1716475608127.jpeg?w=530)
![Peter Bouscheljong | no music no poetry no prose no photographs [Danielle Collobert, Alix Cléo Roubaud, Agnès Rouzier] N°3](https://my-blackout.com/wp-content/uploads/2024/04/img_0378-e1713813476601.jpeg?w=550)