Jean-Luc Godard’s “Militant Filmmaking”; by Irmgard Emmelhainz

Irmgard Emmelhainz | Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967–1974)   It is often argued that between 1967 and 1974 Godard operated under a misguided assessment of the effervescence of the social and political situation and produced the equivalent of “terrorism” in filmmaking. He did this, as the argument goes, by both subverting the formal operations of narrative film and by being biased toward an ideological political engagement.1 Here, I explore the idea that Godard’s films of this period are more than partisan political statements or anti-narrative formal experimentations. The filmmaker’s response to the intense political climate that…

Jean-Luc Godard | What is to be done? // British Sounds, by J.-L. Godard [DVG]

  Written in January 1970 at the request of Simon Field and Peter Sainsbury for the magazine Afterimage, produced by Peter Whitehead. Published in Afterimage n°1, April 1970. Translated from French by Mo Teitelbaum. We must make political films. We must make films politically. 1 and 2 are antagonist to each other and belong to two opposing conceptions of the world. 1 belongs to the idealistic and metaphysical conception of the world. 2 belongs to the Marxist and dialectical conception of the world. Marxism struggles against idealism and the dialectical against the metaphysical. This struggle is the struggle between the…