Giorgio Agamben | The Coming Community

Giorgio Agamben | The Coming Community (3) PDF       Guy Debord Letters to Giorgio Agamben Champot, 24 August 1989 Dear Sir: Thanks for the press clippings that you transmitted to me. I am happy to learn that Italy, despite certain quite serious obstacles, is better informed than France and several other countries, which are still at the moment of “Nashist”-museographical falsifications, laughably inaugurated by the burlesque “Pompidou Center.” And most particularly because I myself have had the chance to learn much in Italy. I send you a very recent book to complete your intelligent documentation. Quite cordially, Guy Debord…

Guy Debord’s Cinema

Guy Debord’s Cinema PDF Jason E. Smith | Guy Debord, Filmmaker Jacques Rancière | When We Were on the Shenandoah Editors of Internationnale situationiste 1 | With and Against Cinema Kaira M. Cabañas | Hurlements en faveur de vous Soyoung Yoon | Cinema against the Permanent Curfew of Geometry: Guy Debord’s Sur le passage de quelques personnes à travers une assez courte unité de temps (1959) Jason E. Smith | Missed Encounters: Critique de la séparation between the Riot and the ‘Young Girl’ McKenzie Wark | The Insolent Edit Benjamin Noys | Guy Debord’s Time-Image: In girium imus nocte et consumimur…

Olivier Assayas on Guy Debord

  Olivier Assayas on Guy Debord Two interviews. The first was recorded by Enrico Ghezzi and Roberto Turigliatto in June 2001, and published in Italian in the catalog of the Debord retrospective at the Venice Film Festival. Reread, corrected, and completed in March 2002 for the catalog of the retrospective presented at Magic Cinéma in Bobigny. English translation by Chris Fujiwara, as found on fipresci.org. The second was recorded by Brian Price and Meghan Sutherland, and published on worldpicturejournal.com in spring 2008. 1 It’s very tricky to talk or write about Debord, in the sense that his is the work…

Ralph Rumney | The Consul

Ralph Rumney | The Consul PDF Ralph Rumney has been in constant flight from the wreckage of postwar Europe. Crossing paths with every avant-garde of the past fifty years, he was one of the founding members of the Situationist International. Rumney’s traveling companions — Guy Debord, Pegeen Guggenheim, Asger Jorn, Michèle Berstein, Bernard Kops, Yves Klein, Marcel Duchamp, Georges Bataille, William Burroughs, Félix Guattari, E.P. Thompson, Victor Brauner, and many others — are recalled in the oral history with sharp intelligence and dry wit.         The Consul: Contributions to the History of the Situationest International and Its Time…

Why Brecht?

Dmitry Vilensky /// Why Brecht? That’s great art: nothing obvious in it – I laugh when they weep, I weep when they laugh. Bertold Brecht If we try replacing the word “opera” with culture or art in Brecht’s text “OPERA – WITH INNOVATIONS!”, it paradoxically becomes clear that Brecht’s analysis of the situation more than 70 years ago is more than relevant today. Of course, many things have changed, such as the notions of power, class, labor, the means of struggle. But still, anyone who is still capable of considering the necessity of connecting thought and action now hits upon…

Alain Badiou; The Rebirth of History | Times of Riots and Uprisings

Alain Badiou; The Rebirth of History | Times of Riots and Uprisings (Full Book)   History and the Sphinx: Of Riots and Uprisings by Jasper Bernes, Joshua Clover Riots are the Sphinx of the left. Every soi disant radical intellectual feels compelled, it seems, to answer the riddle they hear posed by the riots of the present, in Bahrain or Asturias, Chile or Britain: Why now? Why here? Why riot? These answers generally come in a few simple varieties. First, if the riot seems to lack focus or present clears demands – that is, if it is illegible as “protest,”…

Jacques Rancière; The Emancipated Spectator (5th International Summer Academy)

  I gave to this talk the title: « The Emancipated Spectator » . As I understand it, a title is always a challenge. It sets forth the presupposition that an expression makes sense, that there is a link between separate terms, which also means between concepts , problems and theories which seem at first sight to bear no direct relation on each other. In a sense, this title expresses the perplexity that was mine when Marten Spangberg invited me to deliver what is supposed to be the “keynote” lecture of this academy. He told me that he wanted me…