CRISIS AND CRITIQUE / 50 Years after May 68

    Introduction: 50 Years After May 68, Frank Ruda & Agon Hamza PDF Table of Contents   The Double Heritage of Communism to Come. 1917-1968-2018 by Bini Adamczak  PDF 1968-2018, or from the “revolution impossible” to the impossibility of revolution? Variations on the objet petit s by Eric Alliez  PDF Scattered Notes on “May 68” And its interpretations by Étienne Balibar  PDF The procedure of its Invention, the Construction of its Form, the Means of its Transmission by A. J. Bartlett  PDF Topicality of May 68 by Daniel Blanchard  PDF Will it Happen Again? Boredom, Anxiety and the Peak of Human Evolution by Franco “bifo” Berardi  PDF To Make the…

Jacques Rancière; The Emancipated Spectator

Jacques Rancière; The Emancipated Spectator (Full book) The foremost philosopher of art argues for a new politics of looking. The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance. In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or the politics of art, he goes on to look at what…

Kristin Ross; May ’68 and its Afterlives

Kristin Ross; MAY ’68 AND ITS AFTERLIVES (Full book) During May 1968, students and workers in France united in the biggest strike and the largest mass movement in French history. Protesting capitalism, American imperialism, and Gaullism, 9 million people from all walks of life, from shipbuilders to department store clerks, stopped working. The nation was paralyzed—no sector of the workplace was untouched. Yet, just thirty years later, the mainstream image of May ’68 in France has become that of a mellow youth revolt, a cultural transformation stripped of its violence and profound sociopolitical implications. Kristin Ross shows how the current…

Democracy. Jean-Marie Gleize / Rimbaud / Kristin Ross

Jean-Marie Gleize Democracy There is, in Rimbaud’s Illuminations, a text called “Democracy.” We know little of this text’s composition, as the manuscript is lost. It was published belatedly in a journal (La Vogue, 1889), but we are scarcely surprised to encounter a text of this title from the quill of that democrat Rimbaud, virulently hostile to Napoléon III’s dictatorship, radically aligned with the insurrectionary movement of the Paris Commune — with, one might say, an insurgent, revolutionary democracy. As Bernard Noël has suggested, Rimbaud is a communard “not only in his opinion, but in his being.” Now the particularity of…