The Angry Brigade: Communiques and Documents

Introduction The eight libertarian militants on trial in the Old Bailey in 1972 who were chosen by the British State to be the ‘conspirators’ of the Angry Brigade, found themselves facing not only the class enemy with all its instruments of repression, but also the obtusity and incomprehension — when not condemnation — of the organised left. Described as ‘mad’, ‘terrorists’, ‘adventurists’, or at best authors of ‘gestures of a worrying desperation’, the Angry Brigade were condemned without any attempt to analyse their actions or to understand what they signified in the general context of the class struggle in course….

Guy Debord | All the King’s Men

What is poetry if not the revolutionary moment of language, inseparable as such from the revolutionary moments of history and from the history of personal life? […] The point is not to put poetry at the service of revolution, but to put revolution at the service of poetry. […] Every revolution has been born in poetry, has first of all been made with the force of poetry. This phenomenon continues to escape theorists of revolution — indeed, it cannot be understood if one still clings to the old conception of revolution or of poetry . . .

Theses on the Paris Commune | Guy Debord, Attila Kotányi & Raoul Vaneigem

The Commune represents the only implementation of a revolutionary urbanism to date — attacking on the spote the petrified signs of the dominant organization of life, understanding social space in political terms, refusing to accept the innoncence of any monument. Anyone who disparages this attack as some “lumpenproletarian nihilism,“ some “irresponsibility of the pétroleuses,“ should specify what he believes to be of positive value in the present society and worth preserving (it will turn out to be almost everything).

‘The Function of Autonomy’: Félix Guattari and New Revolutionary Prospects

by Andrew Ryder Félix Guattari is widely discussed among philosophers, particularly feminists and specialists in ecology and technology. But in the Anglophone world, political organisers tend to ignore him. In part this is due to academic paywalls and university strictures confining his work, but the problem goes further: the stylistic conservatism of so much of the Anglo-American left has impeded the capacity to learn from his insights, because they are presented in an nontraditional and unfamiliar style. This resistance has obscured his continuing activity as a participant and organiser in a variety of international struggles. This is not merely of…

Two Poets—Pier Paolo Pasolini & John Wieners

“I harbor a visceral, deep, irreducible, hatred against the bourgeoisie, against its sufficiency, its vulgarity; a mythical hatred, or, if you prefer, religious.” Pier Paolo Pasolini
“Do not think of the future; there is none. / But the formula all great art is made of.“ J. Wieners

Guy Debord | Society of the Spectacle

Guy Debord | Society of the Spectacle PDF   & Society of the Spectacle (New Annotated Translation of the book by Ken Knabb) PDF   Society of the Spectacle is a black and white 1973 film by the Situationist Guy Debord based on his 1967 book of the same name. It was Debord’s first feature-length film. It uses found footage and detournement in a radical Marxist critique of mass marketing and its role in the alienation of modern society.     Preface to the Third French Edition of The Society of the Spectacle La Société du spectacle was first published…

Guy Debord and the Situationist International | Text and Documents [edited by Tom McDonough]

Guy Debord and the Situationist International Texts and Documents edited by Tom McDonough PDF Critical texts, translations, documents, and photographs on the work of the Situationist International This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI’s profound engagement with the art and cultural politics of their time (1957-1972),…