Beiträge
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FIRST PUBLISHED: DIAPHANES How could Dante be avant-garde? Mehdi Belhaj Kacem: Mr. Sollers, for 23 years you were the editor of Tel Quel, doubtless the very last important literary review that can be considered “avant-garde.” It published some of the biggest “avant-garde” writers of its time, like Pierre Guyotat, Maurice Roche, Jean-Jacques Schuhl and yourself, as well…
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Miyó Vestrini | Grenade in Mouth Those who write are not even of a race. Nor a caste. Nor a class. Nor are they one. They ruin the point of living, like women in a world of science. Behind thick lenses, the court is never dull. They have all privileges: from philosophy up…
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Arthur Rimbaud | A Season in Hell
* * * Long ago, if my memory serves, life was a feast where every heart was open, where every wine flowed. One night,…
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![riots and/or poetics [10/2018]](https://my-blackout.com/wp-content/uploads/2018/10/img_07621.jpg?w=397)
riots and/or poetics [10/2018]
“History is full of people who just didn’t. They said no thank you, turned away, escaped to the desert, lived in barrels, burned down their own…
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Nathaniel Mackey | Cante Moro
I would like to touch on the topic of “The New American Poetry“ where it opens onto matters we wouldn’t necessarily expect it to entail—not…
![reading list [6/2025]](https://my-blackout.com/wp-content/uploads/2025/06/bild-07.06.25-um-20.00-1-e1749319962712.jpeg?w=580)
BLACKOUT ((LITERATUR, ÄSTHETIK & FILM)) 