Beiträge
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By Mathilde Girard and Frédéric Neyrat The margins of cinema Frédéric Neyrat: Let’s start here: What is film’s place, and more specifically your films, in the entertainment industry of a capitalist economy? In other words, who is the enemy these days? Elisabeth Perceval: It’s funny because yesterday morning I was saying to Nicolas… Do you…
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![riots and/or poetics [9/2024]](https://my-blackout.com/wp-content/uploads/2024/09/e639dd6a-1c06-4699-8c7a-829189d6ed21_1_105_c-e1726500747861.jpeg?w=530)
a kind of counter-history—is that poetry? Chantal Akerman: Œuvre écrite et parlée Antoine Volodine: Vivre dans le feu Leslie Kaplan: The Book of Skies Éric Baudelaire: Make, Do, With — Film and exhibitions, 2011-2021 Nicolas Klotz, Elisabeth Perceval: les frontières brûlent Heiner Müller Jahrbuch 1 (2024) Christophe Hanna: Gloire Emmanuel Hocquard, Alexandre Delay: Le…
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Peter Bouscheljong | SCHIBBOLETH
Die Hölle ist nicht der Ort des Schmerzes. Sie ist der Ort, wo man leiden läßt. Sie ist nicht das ÜBEL. Das ÜBEL hat…
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Announcing Tripwire 19: in memory of Sean Bonney, Diane di Prima, Jack Hirshman, Bernadette Mayer, Etel Adnan, Kamau Braithwaite & Keith Waldrop
Tripwire 19 is out now! A Sean Bonney Tribute Portfolio and other contributions, including my text dreaming of one thing [subversive chronicle] Belén Roca, translated by…
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Gilles Deleuze | Three Questions About Six fois deux (Godard)
Cahiers du Cinéma has asked you for an interview, because you’re a “Philosopher” and we wanted to do something philosophical, but more specifically because you…
![Peter Bouscheljong | ACTION #5 [THE POET AS PRODUCER] & ACTION #6 [THE BUSINESS OF MR JULIUS CAESAR AFTER BRECHT OR THE MIGRANTS OF REGGIO CALABRIA]](https://my-blackout.com/wp-content/uploads/2022/05/32a6ca49-d5da-40be-a88d-9fb9716c1083_1_201_a-e1652834133680.jpeg?w=480)
BLACKOUT ((LITERATUR, ÄSTHETIK & FILM)) 