Curated by French thinker Georges Didi-Huberman, the exhibition “In the troubled air…” sets forth a political anthropology of emotion in a poetic tone, sketching channels of respiration and resistance to confront the persuasive culture of capitalism which has filtered into everything. The title, taken from Federico García Lorca’s Romancero gitano (Gypsy Ballads), invokes emotion that flows beyond and is not constricted to one sole subject, where the Lorcian idea of “duende” (a state of heightened emotion or expression) comes into play. Where emotion is understood here as a movement transmitted to collectiveness via a unique body, one that is predisposed to develop into a…
Tag: Georges Didi-Huberman
Peter Bouscheljong | parteinahme [ein fragment]
[…] der zustrom unterschiedlicher empfindungen durch das fliessen der worte (über und durch die haut) und die zersplitterungen eines wesens auf ein blatt papier zu übertragen. also verweigert sich die poesie einer repräsentativen logik oder einem solchen verstehen, lässt alle versuche einer klassifizierung in sich zusammenfallen. und man weiss, dass der negationismus zwei ressourcen hat, von denen eine darin besteht, nicht zu sehen, was in der tat nicht mehr sichtbar ist, während die andere darin besteht, den kontext der ereignisse biz zu dem punkt zu entfalten, an dem die besonderheit des verschwindens verschwunden ist.
Karoline Feyertag | The Art of Vision and the Ethics of the Gaze. On the Debate on Georges Didi-Huberman’s Book ”Images in Spite of All”
For Didi-Huberman the only thing to be gained from the Medusa myth is that it reveals Perseus’ victorious cunning—he having succeeded with the help of Medusa’s reflection in his shield in decapitating the monster. To survive and to bear witness it is necessary to apply cunning. It is above all necessary to muster the ”courage to gain insight” into a numbing and/or life-threatening reality.
Georges Didi-Huberman | Hells? (On Pier Paolo Pasolini)
Well before he described the great light of Paradise shining out in all its eschatological glory, Dante decided to reserve a quiet but significant fate, in the twenty-sixth canto of the Inferno, for the “tiny light” of those glowing worms, the fireflies. The poet is observing the eighth bolgia of hell, a political bolgia if ever there was one, since we can recognize a few eminent citizens of Florence gathered there, among others, all under the same condemnation as evil counselors. The entire space is scattered—constellated, infested—with small flames that look like fireflies, just like those that people see…
Georges Didi-Huberman | The Supposition of The Aura: The Now, The Then and Modernity (Walter Benjamin)
Walter Benjamin and History Edited by Andrew Benjamin Continuum 2005
Georges Didi-Huberman | Light against Light
The disappearance of the fireflies—when the blinding glare of spotlights crushes the weak glimmer of glowworms in the night—is an excellent poetic allegory, a lovely “speaking image” on which to build something like a general poetics of light. This allegory has become familiar to us through the intervention of a great poet, Pier Paolo Pasolini.1 So we cannot be surprised that artists and thinkers have elevated this allegory in the field of aesthetics, and that it may lend itself as the title of an art exhibit. And yet its sole purpose is to ask, stubbornly, over and over…
riots and/or poetics [3/2020]
Lisa Robertson | The Baudelaire Fractal I’d never had an idea for writing a novel before, though I’ve been curious about the form. I’m a poet who has always loved writing prose. Essay writing and the writing of verse have been overlapping and interchangeable activities, and the shape of the sentence has always been at the core of my writing practice. This Baudelaire idea was very funny to me, and it kept opening up more pathways of inquiry the more time I spent with it. It was a way to write a bildungsroman in the feminine; it opened questions of…
Georges Didi-Huberman; To Render Sensible
Representable People, Imaginary People? Representation of the people comes up against a double difficulty, if not a double aporia, that comes from the impossibility of our subsuming each of the two terms, “representation” and “people,” into the unity of one concept. Hannah Arendt said that we will never manage to think about the political dimension as long as we stubbornly persist in speaking of man, since politics is interested precisely in something else, which is men, whose multiplicity is modulated differently each time, whether it be in conflict or community. (1) Likewise we must say, and forcefully, that we…
Best books of 2017
Nanni Balestrini; Blackout / Commune Editions Heriberto Yépez; Transnational Battle Field / Commune Editions Attila József; Liste freier Ideen / roughbooks Ursula Andkjaer Olsen; Third-Millennium Heart / Action Books / Broken Dimanche Press Sean Bonney; Ghosts / Materials Georges Didi-Huberman; Die Namenlosen zwischen Licht und Schatten / Fink Pierre Guyotat; In der Tiefe / diaphanes Aimé Césaire; The Complete Poetry of Aimé Césaire / Wesleyan University Press The Invisible Committee; Now / Semiotext(e) Mark Fisher; The Weird and the Eerie / Repeater François Dosse; Gilles Deleuze Félix Guattari / Turia + Kant Harun Farocki; Zehn, zwanzig, dreißig, vierzig. Fragment einer Autobiografie /…
Best books of 2016 / Herausragende Bücher 2016
Pierre Guyotat; Herkunft (Diaphanes Verlag) Paul B. Preciado; Testo Junkie (b_books) Erin Moure; O Cadoiro (roughbooks) Pjotr Pawlenski; Der bürokratische Krampf und die neue Ökonomie politischer Kunst (Merve Verlag Berlin) Jacques Rancière; Politik und Ästhetik (Passagen Verlag) Daniel Bensaid; Ein ungeduldiges Leben (LAIKA Verlag) Andrew Duncan; Radio Vortex (Brüterich Press) Georges Didi-Huberman; Atlas oder die unruhige Fröhliche Wissenschaft (Wilhelm Fink) Rosmarie Waldrop; Ins Abstrakte treiben (Edition Korrespondenzen) Samuel Beckett; Wünsch Dir nicht, daß ich mich ändere (Suhrkamp Verlag) Tom McCarthy; Satin Island (Deutsche Verlags-Anstalt) Robert Kelly; Die Sprache von Eden (roughbooks) Cyrus Console; Brief Under Water (Brüterich Press) Sophie Wahnich; Freiheit…










