Jean-Marc Lachaud, Olivier Neveux | Arts and Revolution. On Some Theoretical and Practical Elements

  It would be wrong to consider constructing a fully established aesthetic theory from a reading of the few pages that Karl Marx dedicates to artistic and literary creation. In L’Idéologie allemande, while countering an idealist approach, Marx affirms that a work of art needs to be analyzed in its context of production and reception. Nevertheless, in Grundrisse, while resisting a simplistic reflection theory, he stresses the unique character of artistic and literary products. Observing that his contemporaries can still be moved by the masterpieces of ancient Greek art, he also admits that they evidence “inequalities between the evolution of art in general…

Mark Fisher | Acid Communism (Unfinished Introduction)

  “The spectre of a world which could be free” “[T]he closer the real possibility of liberating the individual from the constraints once justified by scarcity and immaturity, the greater the need for maintaining and streamlining these constraints lest the established order of domination dissolve. Civilisation has to protect itself against the spectre of a world which could be free. […] In exchange for the commodities that enrich their lives […] individuals sell not only their labour but also their free time. […] People dwell in apartment concentrations — and have private automobiles with which they can no longer escape…