Nanni Balestrini | “I write to you opposite the balcony from whence I contemplate the eternal light whose radiant fire slowly fades on the distant horizon”

At one point in ‘Blackout’, Balestrini writes, “This poem should not be published because it is a political manifesto.” The historical events with which ‘Blackout’ is concerned and toward which it is critical began with the wave of conflicts in 1968 at the universities and factories and eventually spread throughout the West. The protests culminated in the “troubled autumn” of 1969, eventually involving the entire Italian working class in strikes, demonstrations, and acts of sabotage.

riots and/or poetics [5/2020]

the high degree of social danger inherent in the choice of implements and the method of execution / expropriations and searches proletarian fires and corruption of the public good kidnappings and sequestering of persons beatings wounds / sufficient evidence of guilt can be inferred from the laws as formulated in the index books / carried out in houses and adjacent rooms in the middle of the night / 1) the copious documentation seized or acquired above all those parts that celebrate and program the violence and the armed struggle / the final goal being the general overthrow of the existing…

Nanni Balestrini | Wer das hier liest, braucht sich vor nichts mehr zu fürchten (Interview)

  Der 1935 in Mailand geborene Schriftsteller Nanni Balestrini gehört zu den wenigen, die, obwohl sie im normalen Literaturbetrieb anerkannt sind, weiterhin über die revolutionäre Bewegung der 60er und 70er schreiben. Selbst Aktivist der sozialen und Klassenkämpfe der Jahre 1968-80 in Italien, hat Balestrini alle seine Romane über die Geschichte der radikalen Linken geschrieben. Seine Bücher handeln von den Arbeiterkämpfen bei FIAT, von den Ursprüngen des bewaffneten Kampfs oder von der Jugendbewegung (Autonomia) Ende der 70er. Sein Standpunkt bleibt dabei klar, an der subjektiven Sicht der Rebellierenden rüttelt Balestrini nicht. Ihm geht es, auch wenn er nach eigenem Bekunden, „keine…

Claire Fontaine | Human Strike Within The Field Of The Libidinal Economy

  The possibility of keeping together autonomy and an affective life is a tale that hasn’t been written yet. – Lea Melandri, Una visceralità indicibile, 2007   In 1974 François Lyotard published the surprising book entitled Libidinal Economy where he attacked Marxist and Freudian simplifications and he opened a new perspective on the connection between desires and struggle. What starts to crumble at that time under the offensive of the two essential weapon-books by Deleuze and Guattari Anti-Oedipus and A Thousand Plateaus is the fetishisation of consciousness as the organ that will lead the revolution. As the myth of the…

DIE PROZESSE — Ein faktographisches Poem

ENGLISH TRANSLATION (part 1) BY DAVID VICHNAR & TIM KÖNIG ALIENIST 5   “Mehr als 1000 Menschen wurden bereits willkürlich verurteilt und inhaftiert. Und jetzt soll das neue so genannte “Anti-Randalierer- Gesetz” uns auch noch darin hindern zu demonstrieren. Wir verurteilen jede Gewalt gegen Demonstranten durch die Polizei. Nichts wird uns aufhalten! Demonstrieren ist ein Grundrecht. Schluss mit der Straflosigkeit für die Ordnungskräfte! Amnestie für alle Opfer der Unterdrückung!” Aufruf der ersten Generalversammlung der Gilets Jaunes “Ich werde ein Arbeiter sein: Diese Idee hält mich zurück, wenn die wahnsinnige Wut mich hin zur Schlacht von Paris drängt, — wo doch…

Nanni Balestrini | “I close my eyes and start to sing”

NANNI BALESTRINI (1935-2019)     I close my eyes and start to sing threads are entangled and transformed into spots whose dance moves ever more slowly I sang my repertoire then I started monologues with my eyes closed I walked back and forth in the cell four steps forward four steps back I invented dialogues for two characters that spoke different languages like at the cinema when the film ends there are those who make love who smoke there are those who merely exist   Nanni Balestrini, the radical Italian experimental visual artist, poet, and novelist known for recombinatory, revolutionary…

Italy 1977-8: Living with an earthquake – Red Notes

  Italy 1977-8: Living with an earthquake – Red Notes A pamphlet from a time when a very high level of class struggle dominated Italian society. Despite their differences – the state, church, fascists, Communist Party and unions were all united in opposition to the the radical social movement.    A. Preface We have called our pamphlet “Living With An Earthquake”. This earthquake is not just the crisis at Government level – it is a quite new political upheaval affecting the whole of Italian society. We have produced this pamphlet because it is vitally important that the out­side world should…

Tiqqun | This Is Not a Program

“’77 wasn’t like ’68. ’68 was anti-establishment, ’77 was radically alternative. This is why the ‘official’ version portrays ’68 as good and ’77 as bad; in fact, ’68 was co-opted whereas ’77 was annihilated. This is why, unlike ’68, ’77 could never make for an easy object of celebration.”
— Nanni Balestrini, Primo Moroni, L’orda d’oro

riots and/or poetics [8/2018]

“he is as a neighborhood beauty queen / lauded with ribbons and canes / and with his lapdogs / who lick at the rottenness / seated at the right side / of mama democracy / he dialogues long / with the mouth of a murderer. / he raises his hand in that sustained and easy style / wiggles his fat ass / and with the boyish brilliance of an ephebe / he shits in the country / with all his soul“ Roberto Jorge Santoro | POETRY IN GENERAL (II)   Manson & Mendoza; Windsuckers & Onsetters: Sonnots for Griffiths Andrea…

Nanni Balestrini; »If you read this, you must no longer fear anything«

  • We Want Everything • Nanni Balestrini and the Poetry of the Italian Autonomia • Blackout • Carbonia (We Were All Communists) • On Nanni Balestrini, the Most Radically Poet of the Italian Scene     WE WANT EVERYTHING THE STRUGGLE These guys I’d talked to about the struggle couldn’t accept it, they didn’t know what the fuck to do. They didn’t understand what I was proposing. They felt somehow that what I was proposing was right, but they didn’t know how to act on it. They didn’t understand that the important thing was to stir things up all…

Best books of 2017

Nanni Balestrini; Blackout / Commune Editions Heriberto Yépez; Transnational Battle Field / Commune Editions Attila József; Liste freier Ideen / roughbooks Ursula Andkjaer Olsen; Third-Millennium Heart / Action Books / Broken Dimanche Press Sean Bonney; Ghosts / Materials Georges Didi-Huberman; Die Namenlosen zwischen Licht und Schatten / Fink Pierre Guyotat; In der Tiefe / diaphanes Aimé Césaire; The Complete Poetry of Aimé Césaire / Wesleyan University Press The Invisible Committee; Now / Semiotext(e) Mark Fisher; The Weird and the Eerie / Repeater François Dosse; Gilles Deleuze Félix Guattari / Turia + Kant Harun Farocki; Zehn, zwanzig, dreißig, vierzig. Fragment einer Autobiografie /…