Liberté. Danielle Collobert découvrant 30 ans avant Taros le concept de «pâte». // diese Aneignung [Appropriation] ist keineswegs skandalös das die «Bewegung» si // von Dichtern der negativen Moderne sich in Raquel Ateliers in Malakoff trafen // Arme an den Körper geschmiegt Wangenknochen die hervortreten Schläfen li // 947 Fotografie von Denise Colombo 43,5 x 36 cm; Sammlung André S. Labarthe
wenn Schreiben & Fotografie miteinander verbunden sind dann durch die Zeit // Ist Mord (Meurtre) nicht der Bericht Colloberts über den Mord an ihrer Identität // vom 26.5.1943 über die Nummerierung der Sterbeurkunden der Konzentrats // Auflösung moralischer Werte gesellschaftlicher Heuchelei Falschaussagen Sadi // ist jetzt sinnlos ihr eigener Tod naht nicht mehr mit Literatur zu tun er ist die absolute // wären Berge außer daß die Luft darüber auch schwarz ist: schwarz wie Rauch di //
taumelnd durch das schwindende Gedächtnis fallende Silben einer anderen Sp // Manuskript von Non, rien wird dem Mitarbeiter von Seghers/Laffont ins Auto ge // 2 s/w Fotografien aus dem TV montiert auf Papier, je 8,7 x 12,5 cm Epitaph // aber wie könnt ihr sicher sein daß das was gesagt wurde die Wahrheit ist & 24 juillet 1973 Ravello Hôtel Palumbo chambre 12 (Denis Roche La Disparition
The ties between French and American poetry are ancient and profound. In the introduction to his 1984 The Random House Book of XXth Century French Poetry, Paul Auster reminds his anglophone reader of the perennial contribution of the French language in general and French literature and poetry in particular to its British and later American counterparts, going back to John Gower and Chaucer. Focusing on the modern period, he claims that “American poetry of the past hundred years would be inconceivable without the French.” From the time of Baudelaire “modern British and American poets have continued to look to France…
Ma langue est poétique. It is poetic in its unrolling and its pieces and in the wake of its pieces, it is not composed of words attached to words by accident, by suffering, by stapling cor- ners and catch-lines and straps and frictions and stuck- together strings meticulously glued to each other to make up their length. It is not extended by a miracle in perpetual dis- equilibrium, it has breath, is a breath, is the breath, bypasses all obstacles in passing through the sublime effect, in con- tinuing on when nothing helps it continue, with a last leap….
Since the 17th of November, from the smallest rural village to the largest city, we have risen up against this deeply violent, unjust and unbearable society. We will not let this continue! We rebel against the excessive cost of living, precariousness and misery. We want our loved ones, our families and our children, to live in dignity. 26 billionaires own as much as half of humanity; this is unacceptable. Let’s share the wealth and not the misery! Let’s finish with social inequalities! We demand the immediate increase of wages, social assistance, allowances and pensions, the unconditional right to housing and…
BLACKOUT ((poetry & politics)) 