Jacques Rancière & Philippe Lafosse | Politics and Aesthetics in the Straubs’ Films

  Jacques Rancière, Philippe Lafosse and the public in conversation about Straub-Huillet after a screening of From the Clouds to the Resistance and Workers, Peasants Monday, February 16, 2004, Jean Vigo Cinema, Nice, France     PHILIPPE LAFOSSE: It seemed interesting to us, after having seen twelve films by Jean-Marie Straub and Danièle Huillet and talked about them together, to ask another viewer, a philosopher and cinephile, to talk to us about these filmmakers. Jacques Rancière is with us this evening to tackle a subject that we’ve entitled “Politics and Aesthetics in the Straubs’ Films,” knowing that we could then look into other…

Georges Didi-Huberman | Light against Light

    The disappearance of the fireflies—when the blinding glare of spotlights crushes the weak glimmer of glowworms in the night—is an excellent poetic allegory, a lovely “speaking image” on which to build something like a general poetics of light. This allegory has become familiar to us through the intervention of a great poet, Pier Paolo Pasolini.1 So we cannot be surprised that artists and thinkers have elevated this allegory in the field of aesthetics, and that it may lend itself as the title of an art exhibit. And yet its sole purpose is to ask, stubbornly, over and over…

Jacques Rancière | The Fraternal Image; interviewed by Serge Daney & Serge Toubiana

Originally published as ‘L’Image Fraternelle‘, Cahiers du Cinéma, nos. 268-269, part of a special issue dedicated to “Images de Marque” (July-August 1976). Source: Diagonal Thoughts     Cahiers: If we consider two films, ‘Milestones’ (Robert Kramer & John Douglas) and ‘Numéro Deux’ (Jean-Luc Godard & Anne-Marie Miéville), it seems to us that the first has a genealogical dimension that is completely absent in the second. We could say that ‘Milestones’ has a place in a history of “genres” (American cinema) while ‘Numéro Deux’ has a place in a history of “forms” (European cinema). The result is that ‘Milestones’, but perhaps…

The Power of Political, Militant, ‘Leftist’ Cinema. Interview with Jacques Rancière

  By Javier Bassa Vila Jacques Rancière’s thought is undisciplined, at least in two different but interlinked senses. On the one hand, in the 1970s Rancière suggested a reading of Marxism that broke with the dominant interpretations of the time, specially with the scientifist Marxism imposed by Althusser (see La leçon d’Althusser, originally published in 1976 and re-published in 2012 by La Fabrique – and due to come out soon in Spanish). On the other hand, the broad interest that his thought has triggered at an international level seems to be also the consequence of another in-discipline: his reflections are…

Alberto Toscano | Mayakovsky at Mirafori: Operaismo and the Negation of Poetry

  Though many of the watchwords and guiding axioms of Italian operaismo and its successors have percolated into critical discourse on aesthetic production, and multiple analyses of its intersections with visual art and architecture in the 1960 and 1970s have been advanced, little has been made of its specific approach to the question of poetics. This chapter aims partially to correct this tendency by exploring the arguments about the unhappy marriage between avant-garde poetry and communist politics sketched out in some interventions by the key literary critic and historian in the collective of militant intellectuals that made up ‘classic’ operaismo,…

Jacques Rancière | Identifications of the People

The people has always been a double figure. At the time of the French revolution, it emerged in the opposition between subject of sovereignty and actual population: miserable people or ignorant and fanatic populace. But this duality is still much older. Aforetime the demos in Athens referred to both the sovereign people of the Assembly and the clutter of common people. Democracy is first of all a sobriquet invented by the Athenian elites to designate this inconceivable government of common people. Each time the people is declared sovereign, the same fundamental paradox, under diverse forms, makes the scene. […]

Disruptions — An interview with Jacques Rancière

  Dwaipayan Chowdhury with Jacques Rancière (Spring 2019) LATERAL | JOURNAL OF THE CULTURAL STUDIES ASSOCIATION   I Nor is there singing school but studying Monuments of its own magnificence W. B. Yeats With this reference from Sailing to Byzantium the art historian Clement Greenberg takes us to a quandary.1 This quandary pertains to the efficacy of (western) art in general with regard to the operations of artistic systems. With “of its own” Yeats takes us to the magnificence of the monuments. For Greenberg, what is at stake in this journey to magnificence is the establishment of the cleavage, within the integrity of…

riots and/or poetics [4/2019]

December Journal / 2017 secret idea / of yours / that you / could become a better person / if you read the right books // at the ica fred moten speaks of “battling with identity against / the backdrop of the denial of identity” // yes yes yes // I have to fight against my urge to ascetism and self-sacrifice / but I’m reading about simone weil again – she seems like the / most beautiful / she says, “when you decide something always do what will cost / you the most” // I would like there not to be grants / no crowdfunding / no paperwork to prove your need / no application to decide who…

Alain Badiou | Metapolitics

Metapolitics argues that one of the main tasks of contemporary thought is to abolish the idea that politics is merely an object for philosophical reflection. Badiou critically examines the thought of anthropologist and political theorist Sylvain Lazarus, Jacques Rancière’s writings on workers’ history and democratic dissensus, the role of the subject in Althusser, as well as the concept of democracy and the link between truth and justice.

Reading Capital | The Complete Edition

READING CAPITAL | THE COMPLETE EDITION
LOUIS ALTHUSSER, ÉTIENNE BALIBAR, ROGER ESTABLET, PIERRE MACHEREY AND JACQUES RANCIÈRE //
Reading Capital: 50 Years Later //
Nina Power: Reading Social Reproduction into ‘Reading Capital

Jacques Rancière | Staging the People

Jacques Rancière | Staging the People The Proletarian and His Double  PDF   These essays from the 1970s mark the inception of the distinctive project that Jacques Rancière has pursued across forty years, with four interwoven themes: the study of working-class identity, of its philosophical interpretation, of “heretical” knowledge and of the relationship between work and leisure. For the short-lived journal Les Révoltes Logiques, Rancière wrote on subjects ranging across a hundred years, from the California Gold Rush to trade-union collaboration with fascism, from early feminism to the “dictatorship of the proletariat,” from the respectability of the Paris Exposition to…

A. Badiou, P. Bourdieu, J. Butler, G. Didi-Huberman, S. Khiari, J. Rancière | WHAT IS A PEOPLE?

ALAIN BADIOU, PIERRE BOURDIEU, JUDITH BUTLER, GEORGES DIDI-HUBERMAN, SADRI KHIARI, AND JACQUES RANCIÈRE WHAT IS A PEOPLE? PDF     What Is a People? seeks to reclaim “people” as an effective political concept by revisiting its uses and abuses over time. Alain Badiou surveys the idea of a people as a productive force of solidarity and emancipation and as a negative tool of categorization and suppression. Pierre Bourdieu follows with a sociolinguistic analysis of “popular” and its transformation of democracy, beliefs, songs, and even soups into phenomena with outsized importance. Judith Butler calls out those who use freedom of assembly…

Maurizio Lazzarato | Marcel Duchamp and The Refusal of Work

MARCEL DUCHAMP AND THE REFUSAL OF WORK  PDF   MAURIZIO LAZZARATO Art, work and politics in disciplinary societies and societies of security According to Michel Foucault, for some time we have been leaving disciplinary societies in order to enter into societies of security that, unlike the former, ‘tolerate a whole host of behaviours that are different, varied, or even deviant and antagonistic toward one another’. [1] These societies lead us beyond disciplines, because they put in place policies regarding the government of conducts that are exercised through the management of heterogeneities and the ‘optimization of systems of differences’ – that…

Jacques Rancière | The Red of ‘La Chinoise’: Godard’s Politics

  How should we understand the politics Godard puts into play with his cinematographic practice in La Chinoise? The opinions on the matter have more or less followed the fluxes and refluxes of the left. Accused when first released of being just a caricature, and not a serious representation, of real militant Maoists, the film was later praised as a brilliant anticipation of the events of May 1968, and as a lucid look both at the passing infatuation with Maoism by bourgeois youngsters and at the outcomes of that infatuation: the return to order and terrorism. The question of whether…

Jacques Rancière | Documentary Fiction: Chris Marker and the Fiction of Memory

The Last Bolshevik is the title of the film Chris Marker dedicates to the memory of Alexander Medvekin, the Soviet filmmaker who was born with his century and who died during the Perestroika. To speak of ‘memory’ is to raise the paradox of the film at the outset. Marker’s film cannot very well hope to preserve the memory of a filmmaker whose films we have not seen and whose name was, until quite recently, unfamiliar to most of us. Nor is this situation much different with Medvekin’s compatriots, who are as likely to know his films as we are. The…

Guy Debord’s Cinema

Guy Debord’s Cinema PDF Jason E. Smith | Guy Debord, Filmmaker Jacques Rancière | When We Were on the Shenandoah Editors of Internationnale situationiste 1 | With and Against Cinema Kaira M. Cabañas | Hurlements en faveur de vous Soyoung Yoon | Cinema against the Permanent Curfew of Geometry: Guy Debord’s Sur le passage de quelques personnes à travers une assez courte unité de temps (1959) Jason E. Smith | Missed Encounters: Critique de la séparation between the Riot and the ‘Young Girl’ McKenzie Wark | The Insolent Edit Benjamin Noys | Guy Debord’s Time-Image: In girium imus nocte et consumimur…

Jacques Rancière; The Radical Gap

 The Radical Gap A preface to Auguste Blanqui, Eternity by the Stars Jacques Rancière I leaf through the programme and learn that the very stars themselves – which, I am irmly convinced, should be but rarely disturbed, and even then only for high reasons of meditative gravity … – the very stars are present!1 Mallarmé penned these ironic lines about a ballet performance at the Eden Theatre. Nevertheless, such stellar lights seem as natural to the choreographer as they do to the poet. This is less obviously the case when the one disturbing the stars is a revolutionary leader. Of…

Keston Sutherland’s statement for ‘Revolution and/or Poetry’

  Statement for ‘Revolution and/or Poetry’ I Once upon a time, Ezra Pound: ‘The common or homo canis snarls violently at the thought of there being ideas which he doesn’t know. He dies a death of lingering horror at the thought that even after he has learned even the newest set of made ideas, there will still be more ideas, that the horrid things will grow, will go on growing in spite of him.’ Earlier but closer to us now, Rosa Luxemburg: ‘No coarser insult, no baser defamation, can be thrown against the workers than the remark “Theoretical controversies are…

Antonio Negri; Is It Possible to Be Communist Without Marx?

This paper explores the question of whether it is possible to be a communist without Marx. This entails encountering the ontological dimension of communism, that is, the material tenor of this ontology, its residual effectiveness, the desire of human beings to go beyond capital, and the reality of the episode of statism. (The Idea of Communism; Volksbühne Berlin, 2010) G. Deleuze and F. Guattari, What is philosophy?, (Columbia University Press, 1994), 144 K. Marx, Grundrisse: Foundations of the Critique of Political Economy (Penguin Books, 1993), 296 CRITICAL HORIZONS A JOURNAL OF PHILOSOPHY AND SOCIAL THEORY

Jacques Rancière; The Emancipated Spectator

Jacques Rancière; The Emancipated Spectator (Full book) The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance. In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into…

Jacques Rancière; Disagreement: Politics and Philosophy

Jacques Rancière; Disagreement: Politics and Philosophy (Full book) “Is there any such thing as political philosophy?” So begins this provocative book by one of the foremost figures in Continental thought. Here, Jacques Rancière brings a new an highly useful set of terms to the vexed debate about political effectiveness and “the en of politics.” What precisely is at stake in the relationship between “philosophy” and the adjective “political”? In Disagreement, Rancière explores the apparent contradiction between these terms and reveals the uneasy meaning of their union in the phrase “political philosophy”—a juncture related to age-old attempts in philosophy to answer…

Jacques Rancière; Althusser’s Lesson

Jacques Rancière, Althusser’s Lesson (Full book) Jacques Rancière’s first major work, Althusser’s Lesson appeared in 1974, just as the energies of May 68 were losing ground to the calls for a return to order. Rancière’s analysis of Althusserian Marxism unfolds against this background: what is the relationship between the return to order and the enthusiasm which greeted the publication of Althusser’s Reply to John Lewis in 1973? How to explain the rehabilitation of a philosophy that had been declared ‘dead and buried on the barricades of May 68’? What had changed? The answer to this question takes the form of…

Jacques Rancière; The Unforgettable

    1 In front of the camera lens It is an image from turn-of-the-century Saint Petersburg, both ordinary and extraordinary at the same time. The imperial family is passing by, surrounded by an escort of officers and dignitaries. The crowd gathered there, at the side of the road, is addressed by an officer with an imperious gesture: when the Tsar passes, the thing to do is to remove your hat. The commentator’s voice is heard: I don’t want this image to be forgotten. What is Chris Marker trying to tell us by placing this image at the opening of…

Jacques Rancière; Seeing Things Through Things / Moscow, 1926

And it is not only in its formal achievements, not only because A Sixth Part of the World is a new word in cinema, the victory of fact over invention, that this film is valuable. It has managed, perhaps for the first time, to show all at once the whole sixth part of the world; it has found the words to force us to be amazed, to feel the whole power, and strength, and unity; it has managed to infect the viewer too with lofty emotion, to throw him onto the screen. In the dusty steppes there are herds of…

Georges Didi-Huberman; To Render Sensible

  Representable People, Imaginary People? Representation of the people comes up against a double difficulty, if not a double aporia, that comes from the impossibility of our subsuming each of the two terms, “representation” and “people,” into the unity of one concept. Hannah Arendt said that we will never manage to think about the political dimension as long as we stubbornly persist in speaking of man, since politics is interested precisely in something else, which is men, whose multiplicity is modulated differently each time, whether it be in conflict or community. (1) Likewise we must say, and forcefully, that we…

Jacques Rancière; Politics and Aesthetics

Peter Hallward: Sometimes you present political practice as a sort of ex nihilo innovation, almost like the constitution of a new world, even if the world in question is extremely fragile, uncertain, ephemeral. Don’t you need to consider political innovation alongside the development of its conditions of possibility? I mean, for instance, on the political side of things, the role played by civic institutions and state organisations, the public space opened up, in Athens, in France, by the invention of democratic institutions (that is, the sort of factors you generally relegate to the sphere of the police, as opposed to…

Jacques Rancière; The Emancipated Spectator (5th International Summer Academy)

  I gave to this talk the title: « The Emancipated Spectator » . As I understand it, a title is always a challenge. It sets forth the presupposition that an expression makes sense, that there is a link between separate terms, which also means between concepts , problems and theories which seem at first sight to bear no direct relation on each other. In a sense, this title expresses the perplexity that was mine when Marten Spangberg invited me to deliver what is supposed to be the “keynote” lecture of this academy. He told me that he wanted me…

COLOSSAL YOUTH / JUVENTUDE EM MARCHA

  Stop the faking (Vanda Duarte) Fuck this mountain … I rembered what Mr Lubitsch said, that the day you find out how to shoot a mountain, you will shoot a man. Uh-oh. I will never shoot a mountain. (Pedro Costa)   Erst schwarz und dann weiß ein Messer wie eine Fackel im Dunklen woran sich das Licht entzündet dann wieder schwarz für einen Augenblick Spinnen unter der Decke Schatten unter Schatten unsichtbar wie der Wechsel von Hell Dunkel Chiaroscuro im Stile Rembrandts Texturen grau-grüner Schlieren Maserungen käferfarbener Mauerflecke einer heruntergekommenen Wohnung Phantasie und Begeisterung der Bewohner im Erkennen von…

Best books of 2016 / Herausragende Bücher 2016

Pierre Guyotat; Herkunft (Diaphanes Verlag) Paul B. Preciado; Testo Junkie (b_books) Erin Moure; O Cadoiro (roughbooks) Pjotr Pawlenski; Der bürokratische Krampf und die neue Ökonomie politischer Kunst (Merve Verlag Berlin) Jacques Rancière; Politik und Ästhetik (Passagen Verlag) Daniel Bensaid; Ein ungeduldiges Leben (LAIKA Verlag) Andrew Duncan; Radio Vortex (Brüterich Press) Georges Didi-Huberman; Atlas oder die unruhige Fröhliche Wissenschaft (Wilhelm Fink) Rosmarie Waldrop; Ins Abstrakte treiben (Edition Korrespondenzen) Samuel Beckett; Wünsch Dir nicht, daß ich mich ändere (Suhrkamp Verlag) Tom McCarthy; Satin Island (Deutsche Verlags-Anstalt) Robert Kelly; Die Sprache von Eden (roughbooks) Cyrus Console; Brief Under Water (Brüterich Press) Sophie Wahnich; Freiheit…