Alberto Toscano | Mayakovsky at Mirafori: Operaismo and the Negation of Poetry

  Though many of the watchwords and guiding axioms of Italian operaismo and its successors have percolated into critical discourse on aesthetic production, and multiple analyses of its intersections with visual art and architecture in the 1960 and 1970s have been advanced, little has been made of its specific approach to the question of poetics. This chapter aims partially to correct this tendency by exploring the arguments about the unhappy marriage between avant-garde poetry and communist politics sketched out in some interventions by the key literary critic and historian in the collective of militant intellectuals that made up ‘classic’ operaismo,…

Best Books of 2019

    Miyó Vestrini | Grenade in Mouth Those who write are not even of a race. Nor a caste. Nor a class. Nor are they one. They ruin the point of living, like women in a world of science. Behind thick lenses, the court is never dull. They have all privileges: from philosophy up to anger, passing through conjugal relations, and the length of the paragraphs. Between the rights of man it is figured that the writer should write largely for himself first, then for the others, with a purpose well or poorly defined: to flood the window displays,…

riots and/or poetics [8/2019]

The exact link is uncertain. But we know the Nazis loved / America; Hitler yearned to paint a twin, // a green room where the dead are everywhere. / Asked Abraham before the flame, to the obedient tribe // What are these statues you cling to? // Why calico, why Spanish moss, why the crickets scream. / Confederates raise the undead everywhere. // In a segregated graveyard, no stone reads / private or public; the local jail is everywhere. // Before another body is buried, a window is broken. / A window was broken. The window is broken. // I look everywhere for Fanon’s knife, waiting for…

Tiqqun | This Is Not a Program

“’77 wasn’t like ’68. ’68 was anti-establishment, ’77 was radically alternative. This is why the ‘official’ version portrays ’68 as good and ’77 as bad; in fact, ’68 was co-opted whereas ’77 was annihilated. This is why, unlike ’68, ’77 could never make for an easy object of celebration.”
— Nanni Balestrini, Primo Moroni, L’orda d’oro

Sylvère Lotringer, Christian Marazzi: AUTONOMIA

AUTONOMIA POST- POLITICAL POLITICS (Full book)   The Return of Politics THE IMPOSSIBLE CLASS The workers in Europe should declare that henceforth as a class they are a human im- possibility, and not only, as is customary, a harsh and purposeless establishment. They should introduce an era of vast swarming out from the European beehive, the like of which has never been experienced, and with this act of emigration in the grand manner pro- test against the machine, against capital, and against the choice with which they are now threatened, of becoming of necessity either slaves of the state or…