Joshua Clover and Chris Nealon | The Other Minimal Demand

    Chris Nealon I thought I’d begin with some thoughts about our original proposal for this volume. I was thinking about our overlapping but non- identical points of entry to the question of poetry and politics. I mean I’m basically a humanist, and you’re pretty committed to a version of anti- humanism. But when it comes to poetry, neither one of us really believes in an a priori politics of poetic form, where radical juxtaposition, or parataxis, or deliberately damaged fluency necessarily translates into solidarity or action. Neither one of us believes in a special leadership role for poets…

Alain Badiou | The Four Principles of Marxism

  […]   What do you retain as essential of the thought of Marx for thinking the present period politically? What has been and what is today your conception of communism? For me, communism resides in the final instance in four principles, established and legitimated by both the Marxist theoretical analysis of human societies and by the militant heritage of Marxism throughout the last two centuries. These principles are all concerned with the possibilities of transformation of what constitutes, for at least five thousand years (since the formation of the Neolithic Era), the principle of class in human society. First,…

Alain Badiou | ‘We Have to Break Bourgeois Right’

  In June 2017, Alain Badiou was invited by the ‘Conséquences’ seminar to give a lecture with the title ‘What does a politics outside the state involve?’ The written text was subsequently published by Fayard. Three comrades spoke with him in a preparatory discussion for this lecture; the following text is a partial transcription. Taking stock of the uprisings of recent years on a world scale (from Greece to Egypt, as well as France), Badiou observed that a stumbling block everywhere is the absence of a strategic hypothesis on the question of the state, capable of overcoming the impasse of…

Nathalie Wourm | Poetic Sabotage and the Control Society: Christophe Hanna, Nathalie Quintane, Jean-Marie Gleize

Parallels can be drawn between Gilles Deleuze and Félix Guattari’s concept of “minor literature” and the artistic practice of a number of contemporary French writers, whose works do not only represent the voicing of their political contentions, but also act as verbal objects designed to undermine the mainstream idea of what literature is and should be. [..] Christophe Hanna, Nathalie Quintane, and Jean-Marie Gleize are three authors who share a number of theoretical ideas and political references and have been expressing their opposition to the system in this way.

riots and/or poetics [7/2020]

This racism is scattered, diffused throughout the whole of America, grim, underhanded, hypocritical, arrogant. There is one place where we might hope it would cease, but on the contrary, it is in this place that it reaches its cruelest pitch, intensifying every second, preying on body and soul; it is in this place that racism becomes a kind of concentrate of racism: in the American prisons, in Soledad Prison, and in its center, the Soledad cells.  If, by some oversight, racism were to disappear from the surface of the United States, we could then seek it out, intact and more…

Julian Murphet | “Wide as Targes Let Them Be,” or, How a Poem Is a Barricade

  The commons are what capitalism has always been committed to enclosing within its apparatus of accumulation.1 On their violently vacated place arise the motley privacies of individual contracts, rents, factories, banks, police, and all the interrelated paraphernalia of capital’s machinery of valuation and surplus. The commons themselves cannot be valued—they are beyond, prior to, value. Common land, common air, common water; but also, horticulture, animal husbandry, grain storage. The collective practices developed over millennia to harness the resources of our planet, and maximize human potentiality, form a sometimes vicious, sometimes virtuous feedback loop with the commons and dynamize their…

“Ardent Hope” – Interview with Jean-Luc Godard – Cahiers du cinéma

Source: KINO SLANG   JEAN-LUC GODARD:  …we’re not going to talk about the Théâtre des Amandiers. I’ve no idea what happened there. Nicole Brenez is taking care of it. I wanted to see you, actually. It’s a bit like seeing the great grandchildren of Cahiers du cinéma. I was curious to see what became of them. CAHIERS DU CINÉMA: We were very moved, stunned even, by the film at Cannes, especially the whole ending with “ardent hope” that gave a meaning to this journey through the ruins. The entire first section on the eternal remake of war, then Joseph de…

Alain Badiou | The Century & Poetry and Communism

Alain Badiou | The Century  PDF   Everywhere, the twentieth century has been judged and condemned: the century of totalitarian terror, of utopian and criminal ideologies, of empty illusions, of genocides, of false avant-gardes, of democratic realism everywhere replaced by abstraction. It is not Badiou’s wish to plead for an accused that is perfectly capable of defending itself without the authors aid. Nor does he seek to proclaim, like Frantz, the hero of Sartre’s Prisoners of Altona, ‘I have taken the century on my shoulders and I have said: I will answer for it!’ The Century simply aims to examine what…

Alain Badiou | The Rebirth of History | Times of Riots and Uprisings

Alain Badiou; The Rebirth of History | Times of Riots and Uprisings (Full Book)   History and the Sphinx: Of Riots and Uprisings by Jasper Bernes, Joshua Clover Riots are the Sphinx of the left. Every soi disant radical intellectual feels compelled, it seems, to answer the riddle they hear posed by the riots of the present, in Bahrain or Asturias, Chile or Britain: Why now? Why here? Why riot? These answers generally come in a few simple varieties. First, if the riot seems to lack focus or present clears demands – that is, if it is illegible as “protest,”…

Alain Badiou; Pierre Guyotat, Prince of Prose

I say that Pierre Guyotat is the prince of prose. What does ‘prince’ mean? It signals first of all Guyotat’s nobility, the extraordinary nobility of his prose: a nobility without precedent since the speeches and sermons of Bossuet; and one that is all the more striking in that it organizes, or ennobles, materials drawn from the base layers of our existence, from the atoms of exposed flesh. Sex and cruelty, visible and solar, hook up with being qua excremental being: the word putains, ‘whores’, designates in prose the subsoil of the sublime order established by the retreat of the gods….

Georges Didi-Huberman; To Render Sensible

  Representable People, Imaginary People? Representation of the people comes up against a double difficulty, if not a double aporia, that comes from the impossibility of our subsuming each of the two terms, “representation” and “people,” into the unity of one concept. Hannah Arendt said that we will never manage to think about the political dimension as long as we stubbornly persist in speaking of man, since politics is interested precisely in something else, which is men, whose multiplicity is modulated differently each time, whether it be in conflict or community. (1) Likewise we must say, and forcefully, that we…

Alain Badiou; On Pier Paolo Pasolini

DESTRUCTION, NEGATION, SUBTRACTION The abstract contents of my lecture is a very simple one. I can summarize it in five points: All creations, all novelties, are in some sense the affirmative part of a negation. “Negation”, because if something happens as new, it cannot be reduced to the objectivity of the situation where it happens. So, it is certainly like a negative exception to the regular laws of this objectivity. But “affirmation”, affirmative part of the negation, because if a creation is reducible to a negation of the common laws of objectivity, it completely depends on them concerning its identity….