DIE PROZESSE — Ein faktographisches Poem

ENGLISH TRANSLATION (part 1) BY DAVID VICHNAR & TIM KÖNIG ALIENIST 5   “Mehr als 1000 Menschen wurden bereits willkürlich verurteilt und inhaftiert. Und jetzt soll das neue so genannte “Anti-Randalierer- Gesetz” uns auch noch darin hindern zu demonstrieren. Wir verurteilen jede Gewalt gegen Demonstranten durch die Polizei. Nichts wird uns aufhalten! Demonstrieren ist ein Grundrecht. Schluss mit der Straflosigkeit für die Ordnungskräfte! Amnestie für alle Opfer der Unterdrückung!” Aufruf der ersten Generalversammlung der Gilets Jaunes “Ich werde ein Arbeiter sein: Diese Idee hält mich zurück, wenn die wahnsinnige Wut mich hin zur Schlacht von Paris drängt, — wo doch…

Two Poets — Anna Mendelssohn & Miyó Vestrini

  Anna Mendelssohn Anna Mendelssohn, also known as Grace Lake, who has died aged 61 of a brain tumour, was principally a poet, and a poet like no other, but was also a painter, musician, actor and, earlier in her life, a political activist. She came from what she described as “a very strict working-class socialistic Jewish background” in Stockport, Cheshire. But what impelled her throughout her life was a 1960s spirit of radical revolt. At first it was political but, after a great turning point in her life, it was artistic. She was educated at Stockport high school and…

‘[A] poet must know more than | a surface suggests’: Reading and Secrecy in the Poetry of Anna Mendelssohn; by Vicky Sparrow

  There are moments when the reader of Anna Mendelssohn’s poetry feels themselves to be initiated into a secret poetic world within her work; and there are moments when such a reader is explicitly, sometimes uncomfortably, disabused of such a fantasy, debarred from such a space. The construction and reading of poetry always requires a negotiation of what is part-private and part-public, and in Mendelssohn’s work the crossing between these can feel peculiarly perilous. In Implacable Art (2000) Mendelssohn titles and addresses a poem ‘to any who want poems to give them answers’, cautioning her readers: ‘a poem is not…

Anna Mendelssohn; What a Performance

    […]   __   Location:                  A Dark, Freezing Dungeon. England. Late 20th Century. Political Climate:  The Depression. Prisoner’s number:971226 ¹ flashbacks numerous.     assume dialogue except where obviously otherwise.   Go on write / I can’t write / You told me you could write / I could before I told you / I didn’t tell you I could, I told you I / I can’t say anymore, he’s armed with credentials and dangerous.² Why bring back torture? Because it is continuing / […] Never speak to another poet. Never breathe a…