riots and/or poetics [5/2020]

the high degree of social danger inherent in the choice of implements and the method of execution / expropriations and searches proletarian fires and corruption of the public good kidnappings and sequestering of persons beatings wounds / sufficient evidence of guilt can be inferred from the laws as formulated in the index books / carried out in houses and adjacent rooms in the middle of the night / 1) the copious documentation seized or acquired above all those parts that celebrate and program the violence and the armed struggle / the final goal being the general overthrow of the existing…

[ACTION #3] BRITISH SOUNDS | NACH ANNA MENDELSSOHN

indem man [nämlich] aufdeckte, dass die Geschichte der Menschen, wie sie in den BÜCHERN zu finden ist, eben doch kein Text ist, welcher auf den Seiten eines BUCHES geschrieben steht; indem man nämlich entdeckte, dass die Wahrheit der Geschichte sich nicht aus ihrem manifesten Diskurs herauslesen lässt, weil der Text der Geschichte eben kein Text ist, in dem eine Stimme [der LOGOS] sprechen würde, sondern die [als solche] gänzlich unhörbare und unlesbare Notation der Auswirkungen einer Struktur von Strukturen Louis Althusser | Das Kapital lesen     Diese Fähigkeit sich durch Literatur zu verwandeln Während du mitten im Gespräch den…

Keston Sutherland | Free Dissociation/Logic

    pladd. (you who say either) nothing can be clear when knowing the associations are read by unread people, exposées, exposures. new poems for old. groovy. associations and world societies of interactive growth. groan. a place full of untrained actors absorbing dimensions of cradling pain securing test periods of temperature change. sewing elbes to harare, scratch luck. nothing matches the theoretical tuck. nutmeg. primus stove. raised eyebrows. work sharing. retreat into the forest. the silver conifers. the crumbs. chums. biceps & musical hairs. plaesthetics. planna vanne. plin plor plon pladverbially plodding along with a net in sturdy boots, add…

DIE PROZESSE — Ein faktographisches Poem

ENGLISH TRANSLATION (part 1) BY DAVID VICHNAR & TIM KÖNIG ALIENIST 5   “Mehr als 1000 Menschen wurden bereits willkürlich verurteilt und inhaftiert. Und jetzt soll das neue so genannte “Anti-Randalierer- Gesetz” uns auch noch darin hindern zu demonstrieren. Wir verurteilen jede Gewalt gegen Demonstranten durch die Polizei. Nichts wird uns aufhalten! Demonstrieren ist ein Grundrecht. Schluss mit der Straflosigkeit für die Ordnungskräfte! Amnestie für alle Opfer der Unterdrückung!” Aufruf der ersten Generalversammlung der Gilets Jaunes “Ich werde ein Arbeiter sein: Diese Idee hält mich zurück, wenn die wahnsinnige Wut mich hin zur Schlacht von Paris drängt, — wo doch…

The Angry Brigade: Communiques and Documents

Introduction The eight libertarian militants on trial in the Old Bailey in 1972 who were chosen by the British State to be the ‘conspirators’ of the Angry Brigade, found themselves facing not only the class enemy with all its instruments of repression, but also the obtusity and incomprehension — when not condemnation — of the organised left. Described as ‘mad’, ‘terrorists’, ‘adventurists’, or at best authors of ‘gestures of a worrying desperation’, the Angry Brigade were condemned without any attempt to analyse their actions or to understand what they signified in the general context of the class struggle in course….

Two Poets — Anna Mendelssohn & Miyó Vestrini

  Anna Mendelssohn Anna Mendelssohn, also known as Grace Lake, who has died aged 61 of a brain tumour, was principally a poet, and a poet like no other, but was also a painter, musician, actor and, earlier in her life, a political activist. She came from what she described as “a very strict working-class socialistic Jewish background” in Stockport, Cheshire. But what impelled her throughout her life was a 1960s spirit of radical revolt. At first it was political but, after a great turning point in her life, it was artistic. She was educated at Stockport high school and…

‘[A] poet must know more than | a surface suggests’: Reading and Secrecy in the Poetry of Anna Mendelssohn; by Vicky Sparrow

  There are moments when the reader of Anna Mendelssohn’s poetry feels themselves to be initiated into a secret poetic world within her work; and there are moments when such a reader is explicitly, sometimes uncomfortably, disabused of such a fantasy, debarred from such a space. The construction and reading of poetry always requires a negotiation of what is part-private and part-public, and in Mendelssohn’s work the crossing between these can feel peculiarly perilous. In Implacable Art (2000) Mendelssohn titles and addresses a poem ‘to any who want poems to give them answers’, cautioning her readers: ‘a poem is not…