Jacques Rancière | Documentary Fiction: Chris Marker and the Fiction of Memory

The Last Bolshevik is the title of the film Chris Marker dedicates to the memory of Alexander Medvekin, the Soviet filmmaker who was born with his century and who died during the Perestroika. To speak of ‘memory’ is to raise the paradox of the film at the outset. Marker’s film cannot very well hope to preserve the memory of a filmmaker whose films we have not seen and whose name was, until quite recently, unfamiliar to most of us. Nor is this situation much different with Medvekin’s compatriots, who are as likely to know his films as we are. The…

riots and/or poetics [8/2018]

“he is as a neighborhood beauty queen / lauded with ribbons and canes / and with his lapdogs / who lick at the rottenness / seated at the right side / of mama democracy / he dialogues long / with the mouth of a murderer. / he raises his hand in that sustained and easy style / wiggles his fat ass / and with the boyish brilliance of an ephebe / he shits in the country / with all his soul“ Roberto Jorge Santoro | POETRY IN GENERAL (II)   Manson & Mendoza; Windsuckers & Onsetters: Sonnots for Griffiths Andrea…

Jacques Rancière; The Unforgettable

    1 In front of the camera lens It is an image from turn-of-the-century Saint Petersburg, both ordinary and extraordinary at the same time. The imperial family is passing by, surrounded by an escort of officers and dignitaries. The crowd gathered there, at the side of the road, is addressed by an officer with an imperious gesture: when the Tsar passes, the thing to do is to remove your hat. The commentator’s voice is heard: I don’t want this image to be forgotten. What is Chris Marker trying to tell us by placing this image at the opening of…