Julian Murphet | “Wide as Targes Let Them Be,” or, How a Poem Is a Barricade

  The commons are what capitalism has always been committed to enclosing within its apparatus of accumulation.1 On their violently vacated place arise the motley privacies of individual contracts, rents, factories, banks, police, and all the interrelated paraphernalia of capital’s machinery of valuation and surplus. The commons themselves cannot be valued—they are beyond, prior to, value. Common land, common air, common water; but also, horticulture, animal husbandry, grain storage. The collective practices developed over millennia to harness the resources of our planet, and maximize human potentiality, form a sometimes vicious, sometimes virtuous feedback loop with the commons and dynamize their…

Fred Moten | resistances, impromptu

    resistances, impromptu with Tania Bruguera and Fernando Zalamea’n’em   When we reverse engineered the movement, we found the moment it became the movement was the moment we stopped moving. A body politic for newly born political bodies in the drawing of one last breath by one. Pear trees full of rivers all tied up in sugar ditch; pulpit gutbucket molasses still in still, strong and good, but gone. I was born in friction, alabama. I voted for drone chalkline. I died in fraction, california. I remain a posthumous citizen. So, resist the reduction of non-meaning. Resistance in poetry…

Best Books of 2019

    Miyó Vestrini | Grenade in Mouth Those who write are not even of a race. Nor a caste. Nor a class. Nor are they one. They ruin the point of living, like women in a world of science. Behind thick lenses, the court is never dull. They have all privileges: from philosophy up to anger, passing through conjugal relations, and the length of the paragraphs. Between the rights of man it is figured that the writer should write largely for himself first, then for the others, with a purpose well or poorly defined: to flood the window displays,…

Best Books of 2018

Anne Boyer | A Handbook of Disappointed Fate (Ugly Duckling Presse) Leslie Kaplan | Excess — The Factory (Commune Editions) Mark Fisher | K-Punk (Repeater) Bertolt Brecht | The Collected Poems of Bertolt Brecht (W.W. Norton) Wendy Trevino | Cruel Fiction (Commune Editions) Lola Ridge | To the Many (Little Island Press) Auguste Blanqui | The Blanqui Reader | Political Writings (Verso) Jackie Wang | Carceral Capitalism (Semiotext(e)) Roberto Ohrt, Wolfgang Scheppe | The Most Dangerous Game (Merve Verlag) Arthur Rimbaud | Korrespondenz, Briefe, Texte und Dokumente (Matthes & Seitz Berlin) Nathalie Quintane | Un oeil en moins (P.O.L.) Fred…