Jean-Luc Godard’s “Militant Filmmaking”; by Irmgard Emmelhainz

Irmgard Emmelhainz | Between Objective Engagement and Engaged Cinema: Jean-Luc Godard’s “Militant Filmmaking” (1967–1974)   It is often argued that between 1967 and 1974 Godard operated under a misguided assessment of the effervescence of the social and political situation and produced the equivalent of “terrorism” in filmmaking. He did this, as the argument goes, by both subverting the formal operations of narrative film and by being biased toward an ideological political engagement.1 Here, I explore the idea that Godard’s films of this period are more than partisan political statements or anti-narrative formal experimentations. The filmmaker’s response to the intense political climate that…

Marcel van der Linden | Socialisme ou Barbarie: A French Revolutionary Group (1949-65)

An essay about French libertarian socialist group ‘Socialisme ou Barbarie’. ‘Socialisme ou Barbarie’ had a theoretical influence on the Situationist International and others of their time. [In memory of Cornelius Castoriadis, 11 March 1922 – 26 December 1997).